Critics have called his new film “gleefully nasty,” “gross and goofy,” a “frenzied thriller” and a “gore-filled bloodbath”.
His own wife elbowed him in the stomach during a screening and said: “Did you have to go that far?”
But local film-maker Ant Timpson says Come to Daddy, his directorial debut, isn’t messed up at all.
“It’s not completely over the top,” says Timpson ahead of Come to Daddy’s big screen debut at the New Zealand International Film Festival later this month, the event’s biggest local movie.
“It’s far more accessible than some of the other films I’ve been involved in. It’s more of a slow burn that starts picking up speed then goes a bit bonkers.”
Timpson is a familiar face in the local film industry, a key figure who has curated the Incredibly Strange section of the International Film Festival since 1994 (Come to Daddy was selected independently for the festival’s main section) and spearheaded the 48 Hour Film Festival in 2004.
The 53-year-old’s produced many twisted horror films over the past few years, including Deathgasm, The Greasy Strangler and The ABCs of Death.
But Come to Daddy is being hailed as his most accessible film yet. Reviews have been overwhelmingly positive: Indiewire called it as “an absurd gross-out romp that turns into a tearjerker” and rated it a B+, while Film Threat said it was “smart, uncompromising, inventive and just downright hilarious” in a 10/10 review.
It features local actress Madeleine Sami alongside Lord of the Rings star Elijah Wood, who plays Norval, a DJ who is invited to return to his home in Oregon to reunite with his estranged father, played by Stephen McHattie.
Continue reading Come to Daddy: Is this the New Zealand International Film Festivals most messed-up movie?